As for the appeal of icons to popular sentiment, perhaps this was best understood by local Soviet commanders in the 1930s: when they were ordered to campaign against the influence of the Church, they were known to line up icons, sentence them to death, and then shoot them.
Byzantium: The Surprising Life of a Medieval Empire, by Judith Herrin
Lighting a candle, burning incense, all in front of an image. This was not something developed in Christendom. It was an ancient practice – an ancient way of showing respect. Images were set up on alters, decorated with flowers; prayers were offered for medical cures.
The earliest Christians would not offer such practice to the Roman images – just one more reason for persecution. But, as time went on, Christian images would gradually replace pagan ones. Christ, the Virgin, and various saints took over the role.
Pagan images were likely models for the subsequent Christian ones: Isis, a model for the Mother of God; Zeus for Christ. This actually worked out well for the pagans, who could pretend that they were venerating Christ when in fact they were venerating the other guy.
From where dd the dominance of this practice in Byzantium come from? There is a story that St. Luke had painted the Virgin and Child. And all later copies were endowed with authentic power. It was believed that in some way, the icon captured the essence of the holy person depicted.
Large eyes captured attention and Christians offered their total devotion. Icons could serve as intercessors – prayers directed to the icon would pass through to the person depicted.
Of course, stories could be told through the images as well; not a small thing. Eventually, images would find their way onto coinage. Given the craft and quality of materials, some icons would be seen as valuable works of art and evidence of the superiority of the Byzantine culture.
Then, the great debate. In the period from 730 to 843, the battle over icons. This can be captured via the following two quotes:
The falsely called “icon” neither has its existence in the tradition of Christ, of the Apostles, or the Fathers, nor is there any prayer of consecration to transpose it from the state of being common to the state of being sacred. Instead, it remains common and worthless, as the painter made it.
- Definition of the Iconoclast Council of 754
The making and worship of icons is no new invention, but the ancient tradition of the church… it is impossible for us to think without using physical images…by the bodily sight we reach spiritual contemplation. For this reason Christ assumed both soul and body, since man is fashioned from both.
- St John of Damascus, eighth century
Iconoclasm is one of the few Byzantine words still in English and European usage: “breaking the icons.” The commandment prohibiting the making or worshiping of graven images comes to the fore: God is, after all, a jealous God.
But it seems this wasn’t really the driving force. Getting consistently routed by the Muslims seemed to play a more significant role. Icons had no role in Islam; the Muslims were routing the iconophile, “idol worshipping,” Christians; the icons are failing the Christians. Perhaps the Muslims are succeeding because they don’t worship idols.